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☆ Keith Haring’s Legacy Is Not Found at the Museum
▼ + stars: | 2024-04-17 | by ( Max Lakin | ) www.nytimes.com time to read: +2 min

In their eyes I don’t exist.’”Haring’s frustration surely feels surprising for anyone who is familiar with his work, which is mostly everyone. You needn’t be able to name a Keith Haring picture to recognize it; its vibrating line and electric palette announce itself as efficiently as a neon sign. And it is more so now, 34 years after his death, in 1990 at the age of 31, as his work continues to permeate contemporary art. In his short but intense career, Haring’s pulsating figures became an inextricable part of New York City life, like ancient hieroglyphics that weren’t as much drawn as unearthed. And yet the most likely place you’ll encounter it now is still not the museum, but the mall, which was his own doing.

Persons: Keith Haring, ” Brad Gooch’s, Haring, ”, needn’t Organizations: Museum of Modern Art, Swatch, Medical Locations: New York City, East Harlem

How do we define furniture? The goal was to land on a wide range of offerings, but there were parameters: To qualify, each piece was required to have been fabricated, even if just as a prototype, within the past 100 years. Lighting was excluded from the debate — “which is nuts,” said de Cárdenas, a former men’s wear designer who started his firm in 2006 — unless it was attached to, say, a desk. (The Italian architect and designer Ettore Sottsass’s illuminated Ultrafragola mirror, which presaged selfie culture by decades, made the cut.) There were no limits placed on provenance, and a piece didn’t need to have been designed by a known name, or even attributable.

Persons: Rafael de Cárdenas, Daniel Romualdez, Modern Art’s, Paola Antonelli, Julianne Moore, Katie Stout, Tom Delavan —, Oki, ”, de Cárdenas, Ettore Sottsass’s, Antonelli, Charles, Ray Eames, Le Corbusier Organizations: New York Times, Museum, Modern Locations: Italian

☆ In Chloé Show, an Unseen Legacy With Quiet Jewish Roots
▼ + stars: | 2023-10-20 | by ( Vanessa Friedman | Max Lakin | ) www.nytimes.com time to read: +2 min

The exhibition seeks to foreground Aghion at the brand, repositioning Chloé as a historically important fashion name and giving the museum a pop culture edge. Do you think this is a teachable moment about cultural preconceptions, an effort by the museum to reach a new audience, or both? The Jewish Museum has mounted art-historically important exhibitions, though as you say, infrequently about fashion (their first was a buoyant Isaac Mizrahi survey in 2016). It’s rare for one show to focus on a single ready-to-wear brand such as Chloé. Yet that’s what the Jewish Museum is doing, and it suggests that brand has something very important to say.

Persons: Vanessa Friedman, Max Lakin, VANESSA FRIEDMAN Fashion, Isaac Mizrahi, Aghion, — sidelong, “ Ralph Lauren ”, Ralph Lifshitz, FRIEDMAN, Gaby Aghion Organizations: The New York Times, Met, Brooklyn Museum, Fashion Institute of Technology, Jewish Locations: New York, Jewish

In order to face either one head on, you must stand on a small, uneven platform of homemade adobe bricks. This is a message from the artist: He’s not interested in a seamless viewing experience. It recalls his contribution to the 2017 Whitney Biennial, where he created a room of adobe bricks. Here, a winding path of bricks connects life-size portraits of members of esparza’s largely queer community. The paintings are also on adobe, referencing his Mexican heritage and accentuating his subjects’ brown skin.

Persons: rafa esparza’s, He’s, JILLIAN STEINHAUER Organizations: Art Basel Miami Beach, Biennial Locations: Los Angeles, New York

☆ When Spider-Man Met Jeff Koons
▼ + stars: | 2023-07-13 | by ( Max Lakin | ) www.nytimes.com time to read: +1 min

“When we talked about the Balloon Dog we said, ‘What could we do with it? Koons, he recalled, “was actually the one who said, ‘You know, one thing about the Balloon Dog is it’s this thing that has a lot to do with breath. But we’ve never actually seen the inside of one. (The scene brought to mind an episode earlier this year, where a collector visiting the Art Wynwood fair in Miami accidentally shattered a 16-inch edition. Koons considered the Balloon Dog’s presence in the film as “truly participating in a larger community where people can rally around it.”

Persons: ” Thompson, Koons, “, ‘, we’ve, Vulture lops, ” Koons, ” Organizations: Art Locations: Miami, Hydra, Greece

In important ways the New York contemporary art world was a much bigger place three decades ago than it is today, not in size but in its thinking. The first institutional solo show of the artist Edgar Calel, titled “B’alab’äj (Jaguar Stone),” is a reminder of this. Obliquely, poetically, Calel refers to Mayan views of the earth as a dynamic, responsive, sacred being. (Sections of molded soil spell out the syllable “tik,” the sound he remembers his grandmother making to call wild birds for feeding.) The resulting SculptureCenter piece, beautiful to see, isn’t a “religious” work in any narrow sense.

Persons: Edgar Calel, Calel, HOLLAND COTTER Locations: York, Guatemala

☆ A Séance With Ryuichi Sakamoto at the Shed
▼ + stars: | 2023-06-25 | by ( Max Lakin | ) www.nytimes.com time to read: +1 min

“Kagami,” the new “mixed reality” concert of Ryuichi Sakamoto’s music by the production company Tin Drum is meant to be a profound experience, a groundbreaking achievement in virtual reality that expands the visual limits of recorded performance. In some ways that’s unavoidable; Sakamoto, one of Japan’s most internationally recognized artists, died in March, so any presentation of his music so soon is hard pressed to avoid a funereal pallor. Scenes from the 2017 documentary “Ryuichi Sakamoto: Coda” play on mute on the far wall — Sakamoto collecting rainwater in a bucket; sampling the sound of an ice floe in the Arctic Circle — which, out of context, seem more oblique than they really are. The actual performance takes place beyond a curtain in an empty black box theater, which, materially speaking, stays that way. You sit in the round, staring at a glowing, virtual red cube in the center of the room, which suggests a séance administered by an AV club.

Persons: “ Kagami, Ryuichi, Sakamoto, Griffin, Ryuichi Sakamoto

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